The Black Lives Matter movement began in 2013 as a hashtag in a Facebook post written by Alicia Garza called, ‘A Love Letter to Black People.’ The post followed the acquittal of George Zimmerman for the shooting death of Trayvon Martin. This empathic statement, which holds the implied word ‘TOO,’ became a social movement. There was a Conservative and racist American response with the hashtag phrase, “ALL Lives Matter.” This painting visualises the 2016 protests and rallies that occurred due to the election of Donald Trump and the awareness that more than 1000 people were killed by police in the US, with nearly a third of them black despite the fact that they represent just 13 per cent of the population. The artist tells audiences: "I attended one of these protests and this painting uses artistic license to illustrate actual events. There were three white women walking in a rally with a Black Lives Matter sign. These women understood their privilege and, as allies with Black Americans, held the BLM sign to protest racial injustice. Of course All Lives Matter. It is written again and again in this painting however, the words Black Lives Matter TOO is painted on top of it all. There are societal systems in place and events occurring wherein Americans must be reminded that Black Lives Matter but unfortunately for some people, the implied TOO has to be written."
Artist +-
Melody Croft
Croft credits her artistic style to the hundreds of young children she taught in her 30 years as a teacher. The daily interactions with children, and immersion into their concrete thinking, rests on her canvases set into a story. The use of text cites children storybooks where picture and text go hand-in-hand.
The presented works were created in the spirit of allyship with focus on the Black Lives Matter movement. As a whole, these oil paintings create an empathic narrative sparked from Croft's many years forming emotional connections with young African American children as a teacher. The heart of each work’s narrative is 'too,' meaning 'also'. It is the absent but implied word at the end of Black Lives Matter - and the artistic lens of each painting.
Since 2012, Croft's work has been in numerous exhibitions in Georgia, the Southeast, the Midwest, and New York City. In the summer of 2021, she had her first major solo exhibition entitled, TOO: An Orientation of Spirit. Later that year, NYC Phoenix Art Collective in New York City invited Croft to present this same exhibition virtually on their website. Croft's paintings have been published in several periodicals, newspapers, and as the cover for a book of poetry entitled, A Thousand Scattered Moments. Croft is a self-taught artist. She lives in Athens, Georgia and commutes daily to her art studio in Jefferson, Georgia.
Melody Croft’s work explores the notion of humanity with a lens of subjectively to observe human emotions. Her portraits and narrative paintings converge the real and the imagined to examine the status quo and social norms of modern life. Her paintings invite viewers to look and consider the psychological, sociological, or emotional complexities of race, gender, age, and culture.
Donation +-
Based on our agreement with the artist, 15% of the pre-VAT price excluding frames will be donated to support the Racial Justice Network.
Artwork Details +-
Finishing: Artwork will be delivered on an unframed stretched canvas and wire hanging system
Shipping: Delivery duration is 10-15 days within the US, 20-30 days for the rest of the world. Delivery to some countries will be subjected to additional import VAT and duties to be paid to the courier directly.